Well into the Fairground Booth project by Copernicus Films and Michael Craig with meetings planned and book going ahead step by step. Excellent progress on this project. Going through the Shakespeare section which is a specific component of Blok’s play. With regard to this project there is a feeling that I have broken through a barrier which seemed to be holding up progress but in fact this was just my imagination. With each project one reaches a plateau. While traversing the level and horizontal path it feels like little progress is being made but this is self evidently an illusion and even talk of plateaus and peaks is misleading.
There probably is no right way of describing the process and the answers you seek and solutions you want do not come straight away. However you find that you are asking the same questions as other practitioners of theatre have asked. What is theatre and what is acting and who am I. Directors actors and theoreticians have asked these questions over and over and their answers and thoughts are illuminating and inspirational, so there is plenty of help out there for whatever you may be searching for. Next week will be a key meeting for the project. There are back ups but this meeting is important.
+Russian Theatre Documentary Series
Moscow late evening
After the last bit of writing here things have moved on. Got down to completing a whole section of The Fairground Booth book – the section detailing The Apocalypse and The Fairground Booth. Not a bad bit of progress and all ready to start the next section about Blok and Shakespeare. I wanted to move through things chronologically but instead I started again somewhere a bit further on. The in between sections I will deal with later.
Talked with an acquaintance who I met at the Irish Embassy. We are cooperating at a number of levels but it might be possible to cooperate on The Fairground Booth. Preparing a letter to send to him based on the discussion we have had earlier
A few weeks ago filmed at the Vvedensky cemetery where Field is buried. Cold snowy weather perfect for what I wanted. Tried out the new slider which I have. Worked OK and got some very evocative footage. May come in handy in the future.
Having a difficult time with The Fairground Booth book for the Russian Theatre film project. Every time I make a new start I seem to run into a brick wall. Unable to move forward at all or find any kind of rhythm with the writing. has been going on for some time now and I’m not sure what the problem is. A complete lack of flow or even a desire to write or work on the project. The desire is there in fact but there seems no will or it may be the other way round. Even that I cant determine. Its almost like I don’t want to complete the book and yet I know that I do. Very strange sensation or set of circumstances. Don’t know what to do. Maybe its a question of simply doing more work. Need to find a way into it to enjoy it again like I did at the beginning. Maybe I am starting at the wrong place. Maybe I should start with the Tempest part and work backwards.
As I finish the book about the Russian Theatre film series +Russian Theatre Documentary Series work already gathering pace on the whole Fairground Booth side of the series. Possible locations being lined up in March for a film version of the a play itself. The Fairground Booth and editing going ahead with the documentary film about The Fairground Booth project which will be an integral part of the Russian Theatre Documentary series.
The book about the Fairground Booth is also taking shape almost simultaneously. Its too early to make any predictions but two years ago when I was working on the film Vakhtangov and the Russian Theatre I could not have predicted that this work would be moving along. It just seemed much to far into the future. Now that Vakhtangov and the Russian Theatre is released a path has cleared to make progress on this part of the project.
After the successful launch of Encounters with the Russian avant-garde two more books are in the pipeline. Both of them will be about Russian theatre and connected with the Russian Theatre documentary series. The first book is already two thirds into the first draft and should be ready for publication in the early spring. It will chronicle the making of the series, the vagaries and joys of filming in Moscow and Russia, how the series was conceived, came together, was filmed and where it is going.
Three films are complete and hopefully another two will add to the series. Shooting and some preliminary post production already underway. Script for one film already complete as well. The second book is a much more ambitious project about one of the seminal plays of the early twentieth century. The scope will be broad and speculative but I hope will be a start in explaining some of the themes of Russian theatre in the early twentieth century.
Proof copies of the book Encounters with the Russian Avant-garde arrived and now have all been corrected. Nothing like seeing your own book in print. The results are not bad and now I can continue with marketing the book along side the film series The Russian Avant-garde
I am looking at marketing the book as a component part of the series of six films about the Russian Avant-garde. The next step will be to try and put together a promotional video which can be uploaded to vimeo and You tube as part of the promotional material for the book. There were one or two corrections here and there throughout the book but that is nothing surprising. As someone advised you can never proof read your book enough times.
Working on a third and fourth book. The first should be ready around early spring and will tie in with the Russian Theatre Documentary Film Series This project is a continuing film series plus two books and maybe other material. Editing on a documentary film associated with the Fairground booth underway as well. Should be shooting material tomorrow in Moscow weather permitting. This will probably be the next project that I will be concentrating on.
Final tweaking of the book Encounters with the Russian Avant-garde Small irritating problems to be solved after first proof submission but its all to the good. The proofing stage is arduous and long partly because there are a great many photographs and diagrams and this makes the composing part of the book very tricky. However it has to be done to make the project worthwhile and for it to dovetail nicely with the 6 films which make up the series The Russian Avant-garde.
The picture on the left is the front cover which I hope will look attractive on bookshop shelves and grab peoples attention. Hopefully withing a week to ten days it will be past the proofing stage and on to the final stage before publication. Things are looking good and I am already working on two new books connected with Russian theatre. One I think will be ready by spring 2016. the other is a slightly more complex book and will take extra time and research. I will be updating information here and on other platforms (Facebook and Twitter) and the release date will be announced here soon as well.
A critical time for the project The Fairground Booth. The writing of the material, book and two film scripts is going well. However some the visuals have been somehow left behind and this requires some considerable work. yesterday when I checked the computer graphic work I have been doing it left a lot be desired and as I am not a computer graphics specialist and more or less a beginner I was quite worried by how I would overcome this problem Feeling a bit better after sleeping on the matter. One solution is that I might hire someone to complete and update the work I have done, someone who is proficient in Blender. However I would wish to avoid this and so for the time being I will carry on with my work in this field. After reviewing the material and where I want to go with it I will have to persevere with building my skills however slow that might be. There are no deadlines so I should really stay grounded and gradually get more familiar with this programme because no matter what computer graphics is going to be part of my visual and digital work no matter what. Its a question of one step at a time
Going through some the search material for Copernicus Films and Michael Craig I was gratified to find the film Meyerhold Theatre and the Russian Avant-garde referenced in two books about acting. The first is a book by John Lutterbie and his book Toward a General Theory of Acting: Cognitive Science and Performance also El arte del actor en el siglo XX : un recorrido teórico y práctico por las vanguardias by Borja Ruiz Osante – very gratifying when ones work is helpful to other.